Virgil de Voldère Gallery / SlingShot Project

"It’s like Pollock but with pigments - a huge mess." Deshoulières revolutionizes the painting process as he uses the back of the canvas like a photographic negative. Tortured abstraction bleeds through to the front side of the canvas to reveal delicate figures seemingly modeled in light and shade.$$ik_HTML$$

"It’s like Pollock but with pigments - a huge mess."

Deshoulières revolutionizes the painting process as he uses the back of the canvas like a photographic negative. Tortured abstraction bleeds through to the front side of the canvas to reveal delicate figures seemingly modeled in light and shade.












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